Documents and examines the two year collaborative project with over 200 participants from Tower Hamlets, which culminated in the creation of Speak As You Find, an intergenerational site-specific performance created in Autumn 2015.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
Video recording of Liz Aggiss’s stand-up dance/Live Art performance “A Bit of Slap and Tickle” followed by a conversation and screening with LADA of seminal works by older women artists, including Bobby Baker and Anne Bean.
The Walking Reading Group is a project that facilitates knowledge exchange in an intimate and dynamic way through discussing texts whilst walking together. The publication contains contributions from Rebecca Beinart, Kit Caless, Faiza Shaheen, Ken Worpole and John Levett.
A book of interviews with Brion Gysin, by Terry Wilson
An extended interview with artist and Iraq war veteran Aaron Hughes
Vito Acconci in conversation at Acconci Studio, New York with the Halpern-Rogath Curatorial Seminar at the University of Pennsylvania
Body: Language is a series of public conversations in which choreographers and artists consider the role of the body in their work. This edition features a conversation between series curator Guy Cools, Jonathan Burrows and Matteo Fargion about the imaginative body.
Body: Language is a series of public conversations in which choreographers and artists consider the role of the body in their work. This edition features a conversation between series curator Guy Cools, Jonathan Burrows and Matteo Fargion about the musical body.
Grant Kester treats the relationship between art and democracy as pedagogical, performative, and ethical, he revives our understanding of the importance of civic engagement, solidarity, conversation, and public intervention.
*currently unavailable*
Grant Kester treats the relationship between art and democracy as pedagogical, performative, and ethical, he revives our understanding of the importance of civic engagement, solidarity, conversation, and public intervention.
British Library Sound Archive recording and documentation of Potentials of Performance events (26-27 October 2012). This third themed year of the Performance Matters project features a vibrant series of commissions exploring and exploding the dialogue as a potential format for thinking through and testing possible futures. For each audience member receives a personal letter that continues a conversation that has been taking place via email between the artis and a series of contributors regarding understandings and practices of the potentials of performance. These exchanges come in contact with each other in the performance of a common reading in space and time of writings that exhaust the question: ‘What are the potentials of performance?’ You Have One Unread Letter: the list continues also exists in the space as an installation scroll.
30 mins in the video blanks out but sound is still audible.
Documents an art project of 11 days of semaphore communication in Bristol in 2011.
The book contextualises, documents and analyses Lone Twin’s work. It explores their interest in live performance, journeys, places, language, narrative and image, and includes original interviews, essays, performance texts and photographs.
This item is referenced in the Making Routes Study Room Guide (P1964).
Performance Matters: Performing Idea Dialogue ProjectIn Silence – a conversation with Graeme MillerTim Etchells and Graeme MillerEtchells’ research project In Silence convenes a series of encounters with experts and professionals whose daily work and life practice leads them to an interest and investment in silence. Silence – death to the comedian, transcendence to the priest, a right in the eyes of the law – is after all not the negative space of speech but rather a complex piece of social communication, which functions in contexts as a statement, as transitional state (instrumental route to something) and indeed as a goal or objective all of its own. In a linked set of videotaped interviews Etchells will explore the diversity and complexity of silence as it is constructed and read, investigating both its utility and its blankness, as it is deployed and broken in different situations. Tim Etchells has begun his weblog for In Silence.
Performance Matters: Performing Idea – Performative Writing 8th October 3.00-7.30pm (not 7th as stated on disk) Toynbee Studios.
Performance Matters, Performing Idea – Living Archives6th OctoberLiving Archives 3:00-7:30pmToynbee StudiosWith: Anne Bean, Rose English, Hannah Hurtzig, Janez Jan a and Heike Roms Gripped by a kind of ‘archive fever’, contemporary art and culture is driven by the desire to document, store and preserve. The archive is now a vast global edifice, crossing cultures and forms and reaching further and further into the past. Fleeting exchanges and moments are everywhere evidenced in contemporary art’s multiple but unstable papers, artefacts and traces. But what happens to the life of art in its archival forms? What is the archive doing with performance, performers with the archive? Speakers will address the relation between artists and the archival drive, the artist’s experiences and body as a kind of living archive.
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)