Festival programme; in Croatian and English.
Festival dates: 18-25 November 2016 (Zagreb). 20-21 November 2016 (Belgrade), December 2016 (Skopje), May 2017 (London).
A pop song designed to raise money for, and awareness of, Live Art in the UK.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
Aims to articulate and contextualise an ethos and practice within contemporary art called “DIY” theatre and performance.
Slides and video documentation from the European Social Forum, London 2004
Programme of the Wellcome Trust exhibition at the TwoTen Gallery and the Wellcome Building, London NW1, until 29 August 2003, celebrating the 50th anniversary of the discovery of the structure of DNA. Ten artists use visual, literary, and digital media to present fresh perspectives on the discovery and to show science as social history, science as passion.
Festival documentation. 2nd-21st March 2010
Held in Misc Article Folder 2
From the Collecting Live Art Symposium, Saturday 26 January 2008.
Sacred archive. Documentation on DVDs ref D1396-D1421.
A large-scale outdoor work.
Programme of the Sacred Season at the Chelsea Theatre, 28 April – 10 May 2008, a platform of performance works exploring what theatre can inspire, interrogating the relationship between artists and spectators. Video documentation of the Sacred Season also available: REF. D1057- Includes performance spec and credits for the Book of Blood 4 by Leibniz. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
Double DVD of highlights and edited highlights from the conference. This item is part of the Study Room Guide: The More You Ignore Me The Closer I Get by Robert Pacitti (P1100)
This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
Thirteen videos of creative actions, interventions, tactical media, pranks and other activities that fall between the spaces of culture and politics, resistance and creativity.
This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290), the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).