This catalogue item has no notes associated with it.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Exhibition catalogue. 12/11 – 4/12 1987. In German.
Doon Mackichan wanders, falls, swims and loiters with a few of the women making walking art. 8 October 2018.
Brings together established and emerging practitioners who work with light, as material or subject.
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
Examining a range of performances from the 1960s to the present, as well as protest actions from the lunch counter sit-ins of the US civil rights movement to protest camps in the twenty-first century, this book provides a formal account of endurance and illuminates its ethical and political significance.
Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
Draws together revised writings alongside new journeyings from the A Year In The Country project, which has undertaken a set of year-long journeys through spectral fields; cyclical explorations of an otherly pastoralism, the outer reaches of folk culture and the spectres of hauntology. It is a wandering amongst subculture that draws from the undergrowth of the land.
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden.