Catalogue > By Keyword > Sydney
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André Stitt: Dingo - A treatment towards a new communionism
Over three days in August 2007 Cardiff-based performance artist André Stitt undertook a major ‘akshun’ work at Artspace. Utilizing Joseph Beuys’ famous “I Like America and America Likes Me (or ‘Coyote’)” performance of 1974 as a template through which a performative engagement with acts of arrival and the attendant trauma of colonialism could be developed, Stitt shared a caged-in area of the gallery with a dingo, exploring forms of possible connection between the human figure and dog. This book provides extensive documentation and critical reflection upon one of the most significant and sustained performance works undertaken in Sydney in recent years.
William Yang: Stories of Love and Death
Features images from Yang’s personal archive and explores his self-portraiture across photography, performance and documentary.
Part of Library of Performing Rights (P3041)
Point - Live Live
POINT is a pocket size publication published twice a year including full details of Performance Space seasonal programme, Performance Space, Sydney, Australia. Live Live season October – November 2010. 2 copies archived.
TransLab Dialog
TransLab Dialogues was a one-day forum organised by Performance Space, Sydney which took place at CarraigeWorks on 5 November 2009. 2 copies archived.
Arterial - Tryptych
Performance documentation.
Performance Space Moments
A collection of 24 photographs documenting a multitude of performance works that took place in Sydney’s Performance Space between 1982 and 2006.
.In oversize publications.
Performance Space at Carriageworks
Installation and events held in 2007 at Performance Space Carriageworks
Who’s Afraid of the Avant-Garde?
Four part Installation and Performance series curated by Blair French. April-September 2005.
Interlace: New Work in Video by Shaun Gladwell
Published on the occasion of the eponymous exhibition. 28 May – 3 July 2004.
