Images related to the Study Room Guide on Performance in the UK in the 1970 (P2947).
Contains separate folders for each artist + a word document with image credits.
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
Commissioned by the Live Art Development Agency this collection of videos collated into a DVD represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks. DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes – see D1050. Accompanying essay/booklet by David A Bailey , 14 pages, 14cm x 19cm – see P1081.
1 of 2 DVDs (see also REF. D1960). Unedited work in progress version of the round table discussions commissioned by the Live Art Development Agency for Documenting Live a publication and dvd resource that represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks (see REF. P1081 and D1050).
1 of 2 DVDs (see also REF. D1961). Unedited work in progress version of the round table discussions commissioned by the Live Art Development Agency for Documenting Live a publication and dvd resource that represents and illustrates Live Art practices informed by questions of cultural identity within critical and historical frameworks (see REF. P1081 and D1050).
Box archive of Anne Bean’s Legacy Project TAPS: Improvisations with Paul Burwell co-curated by Robin Klassnik and Richard Wilson.
The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.
DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes.Accompanying essay/booklet by David A Bailey , 14 pages, 14cm x 19cm.
Review of a LADA published DVD. Photocopy of original article.
Essay by David A Bailey , 14 pages, 14cm x 19cm. Attached DVD-PAL produced and edited by Liza Cazzato-Vieyra, 16:9, 90 minutes.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)