Catalogue > By Keyword > Yoko Ono
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Institution for the Future
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
Pussy Riot: A Punk Prayer for Freedom
Letters from prison, songs, poems, courtroom statements and tributes to Pussy Riot.
Archivo Activo
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
John Cage: Journeys In Sound
Collection of archive footage includes concert excerpts and interviews. DVD.
The Live Art Almanac: Volume 3
A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011
! Women Art Revolution
A history of feminist art from the 1960s.
To The Light
This catalogue, published on the occasion of Yoko Ono’s exhibition at the Serpentine Gallery, london 19 June-9 September 2012, includes an interview with the artist by Julia Peyton-Jones and Hans Ulrich Obrist and texts by Chrissie Iles and Alexandra Munroe.
International 08: Made Up
Charts the journey of the 2008 Liverpool Biennial, its artists, and the reactions. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Stick Piece
Spill National Platform 2009
Life [in Progress]
This book is the printed extension of Janez Janša’s installation Life [in Progress]. Complete with photo cards and carry bag.Life [in Progress] is composed of written, photo, and video instructions. The spectators are the actors; walking past the instructions they create the performance according to their own rhythm, sensibility, belief and (non-) activity.
This item can be found in the Orange Oversized Shelf.
The ‘do-it-yourself’ artwork: Participation from Fluxus to new media
The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.
The Many Headed Monster: The audience of contemporary performance
An original and inventive resource for anyone interested in contemporary performance practices and their relationships with audiences.
