Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
On Taylor Mac: a 24-Decade History of Popular Music
On the participatory performances of Robyne Latham.
Witnessed by unwitting suburbanites, and documented on a phone camera, Maternity Leaves documents a series of short performative walks within a mile radius of the artist's home, exploring the time and space of motherhood.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Vienna and Linz festival of one-to-one performances, interventions and experimental theatre, taking place inside two city hotels.
Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.
This publication draws together documentation of the event in the form of photographs, creative responses, first-hand accounts from performers and a feature length edit of the performance on accompanying DVD. Also included are critical and reflective essays on Katherine’s work to date by contributors Lois Keidan, Marcia Farquhar and Aaron Williamson. Publication with DVD (Audio Description option and subtitles).
The book is based on an ongoing, long-term, extensive photographic project spanning over a five-year period, which follows a group of women (artists) through their pregnancies into motherhood.
FrenchMottershead discuss thir strategy of ‘microperformance’.
Artist portfolio including artist statement, selected projects, catalogues, images and DVD preview video sample copy.
Interview with Katerina Seda in The Believer Magazine about her practice. This article can be found in miscellaneous article folder number 3
Beatrice Pepper Velloso, visual artist and professor at the School of Fine Arts, Federal University of Rio de Janeiro. Language: Portuguese
Fifteen installation and performance artists shared the gallery space throughout a six-week period. This publication documents the resulting exhibition through photographs and diagrams.
Spill National Platform 2009
Part of the ‘Documentation Bank’ Collection, an extensive range of artists’ ‘Talking Heads’, documentation of key works, and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
The ‘do-it-yourself’ artwork: Participation from Fluxus to new mediaThis volume consists of fifteen essays by art historians, critics and curators, which are divided into three sections. Part 1 addresses the emergence of spectator participation in the 1960s, whilst Part 2 brings together in-depth case studies of specific participatory practices in the 1960s, 1970s and 1990s, analysing the issues that they raise in their very modes of operation. The more general critical essays in Part 3 map out a range of theoretical approaches to the ‘do-it-yourself’ artwork.
This book is the printed extension of Janez Jan a’s installation Life [in Progress]. Complete with photo cards and carry bag.Life [in Progress] is composed of written, photo, and video instructions. The spectators are the actors; walking past the instructions they create the performance according to their own rhythm, sensibility, belief and (non-) activity.
Shelved in Oversize publications section.
An original and inventive resource for anyone interested in contemporary performance practices and their relationships with audiences.
Site-specific performance.
INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to elicit connectivity, induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy now. Edited film including excerpts of the event. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
Features responses by members of the general public to 12 illustrated projects carried out by Industry of the Ordinary. Accompanying publication, REF. P1199
Responses by members of the general public to 12 illustrated projects carried out by Industry of the Ordinary. Accompanyed by DVD, REF. D1127
A video installation where the interaction of a viewer and an on-screen dancer becomes an intimate pas de deux.