Exhibition catalogue. Ivan Dougherty Gallery, Sydney, June-July 1994; Institute of Modern Art, August 1994, Perth Institute of Contemporary Arts, November-December 1995, Experimental Art Foundation, Adelaide, February-March 1995, ACCA, April May 1995.
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
Explores performance art through live manifestations and reiterations in photographs, film and video.
Provides a comprehensive overview of the development, theory and definitive characteristics of a rapidly developing and popular area of practice.
In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
Post-event hard cover catalogue documenting the exhibition and live performances presented at the III Venice International Performance Art Week. 10-17 December 2016.
Articles, documentation, blogs, and archive materials from the Pinto mi Raya Archivo Activo between 1991-2001.
Photographic documentation of performance and art-action by Antonio Juarez.
Surveys the intersection between design, science and the senses.
A limited edition box containing artefacts, documents and critical theory from an international field of performance artists, theatre makers and writers. Shelved in Oversize publications section. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Analyses the tension between a fragmented and holistic body concept in performance art, popular culture, new media arts, and architecture.
An engaging, critical and thought-provoking approach to how current technologies are changing our perceptions of the body, the self and the interactions between bodies.
This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
Includes info on major performance artists.
Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)