Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents–including texts by and taped discussions among and with the artists involved.
A 150 page reader for students and other particularly interested audience members stuffed full of texts, scripts, interviews and concept documents.
Artists pranksters such as Timothy Leary, Abbie Hoffman, Monte Cazazza, Jello Biafra, Earth First!, Joe Coleman, Karen Finley, John Waters and Henry Rollins challenge the sovereign authority of words, images and behavioral convention.
A book of interviews with Brion Gysin, by Terry Wilson
Contains essays and interviews by late leading art critic Stuart Morgan with a foreward by Thomas McEvilley
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Catalogue of the exhibition September 30-December 10 2010 curated by Pilar Topkins Rivas
Poses questions over the nature of action, identity and the self in the relationship with media forms.
Charts the rise of London’s club scene from Punk in the late 1970s to the New Romantics in the 1980s.
A history of feminist art from the 1960s.