This catalogue, published on the occasion of Yoko Ono’s exhibition at the Serpentine Gallery, london 19 June-9 September 2012, includes an interview with the artist by Julia Peyton-Jones and Hans Ulrich Obrist and texts by Chrissie Iles and Alexandra Munroe.
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
Exhibition catalogue.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Exhibition catalogue.
Accompanying the Japanese Pavilion’s contribution for the Venice Biennale, Ishiuchi’s personal and touching photographic essay ‘Mother’s’ explores the concepts of memory and loss through a series of close-up portraits of her mother immediately prior to her death interspersed with photographs of some of her mother’s personal possessions. In Japanese and English. The exhibition mother’s 2000-2005: traces of the future was presented at the 51st International Art Exhibition, the Venice Biennale, from June 12 through November 6, 2005.
For accompanying booklet see P1431.
Exhibition catalogue.
Retrospective of the the work by the Japanese performance artists/sexual health and sex worker activist – also member of the performance group dumb type – centred on the biopolitics of porn performance and sex as culture production. Text in English and Japanese.
Documentation of work Japanese-born performance artist anti-cool. Her work explores how people can conquer the boundaries and rules with which they surround themselves. Through communication with those present, she tries to find solutions in order to break through people's self-imposed limits. Inlcudes artists CV and list of works (jpg. and doc. files)
Part of the Library of Performing Rights (LPR) (P3041).
Documentation of three works by Japanese-born performance artist anti-cool. Her work explores how people can conquer the boundaries and rules with which they surround themselves. Through communication with those present, she tries to find solutions in order to break through people’s self-imposed limits.
Retrospective of the the work by the Japanese performance artists/sexual health and sex worker activist – also member of the performance group dumb type – centred on the biopolitics of porn performance and sex as culture production. Text in English and Japanese.