Brings Lorde’s essential poetry, speeches and essays, including ‘The Master’s Tools Will Never Dismantle the Master’s House’, together in one volume for the first time.
Part of the Library of Performing Rights (LPR) (P3041).
An attempt to recollect the events of racist aggression against the Chinese and Japanese immigrants on 7 September, 1907, that were long obliterated from the collective memory by the sanctioned ignorance of history.
One of three catalogues published for thee exhibition As Public As Race, a series of performances organised in Summer 1992.
James Luna's performance was held on June 3rd.
Speculates on the possibility and implications of selling back the remains of the British Empire in London today. Based on a public installation in London in the fall of 2016, the book catalogues and develops the installation’s critical program of discussions, performances, dinners, installations, and screenings hosted at 91-93 Baker Street.
Part of the Library of Performing Rights (LPR) (P3041).
Rekindles the debate about 'victim art' through an analysis on Arlene Croce's essay 'Discussing the Undiscussible'.
African dance and western programmers.
On Les Ballets Africains, Adzido, Phoenix and Irie! at Sadler's Wells, Autumn 1990.
Explores the development of South Asian dance and the changing priorities it has been given by funding agencies.
Is dance an appropriate medium for political debate?
A preview of the mini-season of US black choreographers' work.