An edited volume that explores the work of the innovative, experimental and internationally acclaimed performance artist Marilyn Arsem, with 200 images.
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
A gathering of international transgender performers and their audiences in Liverpool in November 2011. Part of LADA screens.
Part of the Library of Performing Rights (P3041).
Documentation from the public screening of Adrian Howells’ works featuring presentations from Adrian’s collaborators and colleagues. The event launched LADA screens 13 and the publication It’s All Allowed: The Performances of Adrian Howells. Selected works of Adrian Howells were available online 18 July – 1 August 2016 on the LADA Screens Channel.
A documentary about a series of one-to-one performances that took place in a hotel in Austria.
Part of LADA Screens. The film was available online 4 April to 28 April 2017 on the LADA Screens Channel. Part of the Library of Performing Rights (P3041).
Explores attention structures that invite one-to-one encounters in digitally informed practice.
Book review.
Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
Large format programme for Hotel Obscura (Vienna performances). In German.
Publication on the TWRG which explored structure in and around participation – be it a group, time or space. Three parallel walks, all based on the same texts, took place in three cities: Bilbao, London and Bolzano.
In English, Spanish, Italian and German.
Includes Rick Moody’s extensive interview with Odyssey Works team members as well as six practical proposals that present a radically new unified theory of art making addressing immersivity and interactivity, experience design, the Heisenberg Uncertainty Principle as it relates to documenting artwork, and intimacy and empathy with the audience.
An exploration of the artist's experience of giving birth under general anaesthetic.
AV documentation (no sound); 6 hours.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.
In this article, the author contends that politically themed one-on-one performances provide value because their budgets do not fit into a comfortable capitalist model of exchange. To be found in Miscellaneous Articles Folder #4.
Video documentation of an interactive performance designed for a single audience member set in a busy café environment.
Video commisioned for “Documenting Intimacy”, a research initiative piloted by Brian Lobel and Marisa Zanotti to explore documenting one-to-one performance from the perspective of artists.
Article exploring the intimacy of the performer-spectator relationship in the encounter between the Jacques Ranciére philosophy and the Belgian, Ghent-based theatre performance group Ontroerend Goed's immersive performance work.
An exploration of Adrian Howells's artistic practice of creating work that promotes intimacy and genuine exchange with an audience.
Video recording of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.
This portfolio of photographs presents the work of Berlin-based Hannah Hurtzig and her Mobile Academy.
Exploring a range of topics, including Greek tragedy, Shakespearean theater, contemporary British plays, opera, and the theatricality of Parisian culture, this compilation provides new perspectives on the relationship between Eros and Death in a series of dramatic texts, theatrical practices, and cultural performances
Footage documenting Blast Theory's I'd Hide You.
Documentary footage of Blast Theory's A Machine To See With.
Article written by Amy Sharrocks for the 'Performance Research on Falling' journal. Located in Miscellaneous Articles Folder 5A. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249)
Collection/selection of past works since 2000. Images, power point presentation, CV, biographic statement, review of market stall performance in Toronto by Natalie Loveless as part of International Festival of Performance. Power point presentation of images from 'In Place of Passing' project initiated by Conolly and facilitated by Beyond Etc.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Feature-length documentary film following Marina Abramovic as she prepares for a major retrospective of her work, taking place at the Museum of Modern Art in New York.
Performance Research Journal edition concerning the foot. Articles featured: CARL LAVERY & NICOLAS WHYBROW Editorial ‘Pas de deux’ MARTIN WELTON Getting Things Off the Ground: Pedestrain Feelings ALEXANDER KELLY [artist’s pages] The Distance Between Us ADRIAN KEAR Thinking Limping: Richard Maxwell’s ‘Neutral Hero’ and the tragic impediment of contemporary theatre ESTHER PILKINGTON & MARTIN NACHBAR We Always Arrive in the Theatre on Foot: A walk to the theatre in sixteen steps and eighteen footnotes JOHN HALL Foot, Mouth and Ear: Some thoughts on prosody and performance MATTHEW GOULISH & LIN HIXSON On Foot Commonplace Book JASON GROVES Before the Law of Human Motor Functions: Walter Benjamin’s poetics of the step KIFF BAMFORD Acconci’s Pied-a-terre: Taking the archive for a walk STEPHEN HODGE ‘Before I compose a piece, I walk around it several times, accompanied by myself’ DEE HEDDON Turning 40: 40 Turns: Walking and friendship TOWNLEY AND BRADBY Conversations After Dark HAYDEN LORIMER Surfaces and Slopes MIKE PEARSON Warplands: Alkborough PERDITA PHILLIPS Walk ’til You Run Out of Water GREGG WHELAN Running Through a Field: Performance and humanness MARGARET AMES Memory, Identity and a Desire to Dance ADRIAN HOWELLS [artist’s pages] Foot Washing for the Sole JOHANNES BIRRINGER The Un-Seeing Eyes of the Foot: In memoriam Kazuo Ohno SIMON PERSIGHETTI A Mis-Guide Walks to the Shoe Museum. This item is referenced in the Making Routes Study Room Guide (P1964). This item is part of the Study Room Guide to Remoteness (P2600).
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011. Visitors are interviewed on camera in a way reminiscent of TV chat shows but with an eventual, unexpectedly acidic twist. Also includes footage of the FeMUSEum shop and gallery.
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
In Castillano/Spanish and English
MA dissertation.
Offers a series of reflections on a number of performances created by artists for an 'audience of one'.
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
from Random Scream, contains segment from the one to one work Reflection
including performances ‘Fee for Service' (2006) and ‘An Ontario Bride American Wives' (2003). This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
BIOBOXES are a collection of one-person shows for one-person audiences that take place in an intimate theatre: a box worn on the actors’ shoulders. BIOBOXES: Artifacting Human Experience are six bilingual boxes in both English and another language. Six artists of diversity created performances drawn from interviews with six first-generation Canadians of the same culture. Originally co-produced by Theatre Replacement and the High Performance Rodeo, BIOBOXES is directed by Maiko Bae Yamamoto and James Long and built by Kofu Yamamoto, with video design by Candelario Andrade, dramaturgy by Kris Nelson and featuring the talents of: Anita Rochon, Marco Soriano, Paul Ternes, Cindy Mochizuki, Donna Soares, and Una Memisevic.
Article examining Adrian Howell’s performance work in terms of intimacy between performance and audience. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
On the festival which featured several one-to-one performances.
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
On Oreet Ashery’s piece – ‘welcome home’.
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)