Performances in hospices and on beaches; cross-cultural myth making in Wales, New Zealand and the US; communal poetry among mental health system survivors: this book presents a senior practitioner/critic’s exploration of arts-based research processes sustained over more than a decade -a subtle engagement with disability culture.
Part of the Library of Performing Rights (LPR) (P3041).
How do disabled people experience theatre, as both audience members and performers? How has the institution of theatre responded to disability over time? How can we create new spaces for performance and attend to different communities’ forms of expression?