Skip to main content

Catalogue > By Keyword > racism

106 results | Page 7 of 9

Selma Selman catalogue

Editor: Jasmina Tumbas and Selma Selman | Reference: P3133 | Type: Publication

A catalogue of one of the most important contemporary Roma artists: a comprehensive overview of her oeuvre and a concise insight into the complex questions of the life of ethnic minorities. In Slovenian, Roma and English.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Delaine Le Bas: Witch Hunt

Editor: Delaine Le Bas and Hannah Firth | Reference: P3129 | ISBN: 978-1900029315

Exhibition catalogue with documentation from the installations in Cardiff, Portsmouth, Derry, London and Berlin.

Part of the Study Room Guide on Live Art and Displacement (P3107).

We are the Roma!: One Thousand Years of Discrimination

Artist/Author: Valeriu Nicolae | Reference: P3130 | ISBN: 978-0857420381 | Type: Publication

Nicolae, himself a Romanian Roma, gives voice to the Roma cause, offering a precise and candid look at their current situation.

Part of the Study Room Guide on Live Art and Displacement (P3107).

‘Illegal’ Traveller: An Auto-Ethnography of Borders

Artist/Author: Shahram Khosravi | Reference: P3126 | ISBN: 978-0230336742 | Type: Publication

Explores the issue of borders and border crossing in the era of globalization and transnationalism, analyzing how the nation-state system regulates movements of people.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Calling Cards

Reference: A0707 | Type: Article

Article on the eponymous exhibition which aims to raise awareness and purge the discrimination against Roma communities. In Hungarian and English.
In misc folder 7. Part of the Study Room Guide on Live Art and Displacement (P3107).

British Black Art: Debates on the Western Art History

Artist/Author: Sophie Orlando | Reference: P3083 | ISBN: 978-2914563765 | Type: Publication

The book suggests new narratives about canonical artworks of the British Black Art movement, such as Lubaina Himid’s Freedom and Change, Eddie Chambers’ Destruction of the National Front and Sonia Boyce’s Lay Back Keep Quiet and Think of What Made Britain So Great, interrogating their critical agency from an art-historical perspective.

Theatre and Race

Artist/Author: Harvey Young | Reference: P3012 | ISBN: 978-0230390966 | Type: Publication

Young introduces key ideas about race, before tracing its relationship with theatre and performance – from Ancient Athens to the present day.

Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space

Artist/Author: Caoimhe Mader McGuinness | Reference: A0674 | ISBN: 1048-6801 | Type: Article

The article analyses discourses surrounding the cancellation of Brett Bailey’s performance by the Barbican in September 2014.

The Rebel Man Standard interviews/blog

Artist/Author: The Rebel Man Standard | Reference: A0673 | Type: Article

Includes company interviews on politics and arts with individual artists and a blog post, The Plight of the Black Artist: The residency industry, by Zinzi Minott.

The Other Story and the Past Imperfect

Artist/Author: Jean Fisher | Reference: A0652 | ISBN: 1753-9854 | Type: Article

From Tate Papers no.12

Found in miscellaneous article folder #5B

This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)

Rasheed Araeen, Live Art, and Radical Politics in Britain

Artist/Author: Courtney J. Martin | Reference: A0650

An analysis of Araeen's performance Paki Bastard (Portrait of the Artist as a Black Person) and journal Black Phoenix.

Found in miscellaneous article folder #5A
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)

Disidentifications: Queers of Color and the Performance of Politics

Artist/Author: José Esteban Muñoz | Reference: P2885 | ISBN: 978-0-8166-3015-8 | Type: Publication

A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.

Donation

£