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Women, the arts and globalization
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Decolonizing Solidarity: Dilemmas and Directions for Supporters of Indigenous Struggles
Interrogates the often fraught endeavours of activists from colonial backgrounds seeking to be politically supportive of Indigenous struggles.
Part of the Library of Performing Rights (LPR) (P3041).
Taking Receipts: A Log of Aggression for People of Color
Artist book: “here for you to take detailed logs of your everyday aggressions so that you can show off your receipts – proof.”
The Avant-garde: Race, Religion, War
How have avant-gardes been shaped by racism and contributed to racist power and imperialism? How have the claims made by avant-garde political and artistic groups to liberate humanity been indebted to religious intolerance? And how has the vanguard commitment to radical cultural action contributed to war, terror, and destruction?
The Cambridge Companion to Modern British Women Playwrights
Addresses the work of women playwrights in Britain throughout the twentieth century.
The Uses Of Autobiography
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
Emergency INDEX Vol 6
In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.
Shadowing Josephine
A anguage, a tool to articulate a series of ideas: how outrage and prejudices can be performed; perceptions of the savage and barbaric heathens; tribal nuances and thinking about the Paris of the 1920s as a site of inequality; the spate of negrophilia there; how a change of circumstance for women was reinforced by the war; cultural diversity and tolerance; exoticism and anti-colonial; therefore, transgressive behaviours.
Black Performance on the Outskirts of the Left: A History of the Impossible
Illustrates the black political ideas that radicalized the artistic endeavors of musicians, playwrights, and actors beginning in the 1960s.
Animal Acts: Performing Species Today
Collects some of the most exciting, provocative, and moving solo performances on animals, grounded by commentaries that help put these engaging works in a larger context.
Theatre & Disability
How do disabled people experience theatre, as both audience members and performers? How has the institution of theatre responded to disability over time? How can we create new spaces for performance and attend to different communities’ forms of expression?
Theatre & Protest
How does protest engage with theatre? What does theatre have to gain from protest?
