Book examining the changing attitudes toward the city as the site for public art.
|Artist / Author||Tom Finkelpearl|
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
Maps the vast stretch of urban settlement outside London bounded by the M25.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)
Explores our obsession with the lure of distant lands and their promise of the weird and wonderful, the beautiful and grotesque.
Brings together established and emerging practitioners who work with light, as material or subject.
Brings the fields of performance studies and trauma studies together in conversation where they inform crucial themes such as trauma, testimony, witness, and spectatorship.
Tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation.
Part of the Library of Performing Rights (P3041).
This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium.
Explores the agency and materiality of the archival document through a collection of critical writings and original artworks,
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.