Book examining the changing attitudes toward the city as the site for public art.
Artist / Author | Tom Finkelpearl |
---|---|
Publisher | MIT Press |
ISBN | 9780262561488 |
Reference | P2005 |
Date | 2002 |
Type | Publication |
Gómez-Peña Unplugged is an anthology of recent and rewritten classic writings from Guillermo Gómez-Peña, a figure who stands alone as unique and ground-breaking in the history of performance art and as the artistic director of transdisciplinary performance troupe La Pocha Nostra.
A documentation of the events and survey of the work of more than 150 performance artists and contributors from France, Ghana, Germany, Great Britain, Mexico, Serbia, Spain, Switzerland, and the United States presented over the years in the festival performance series Neu-Oerlikon (Zurich).
In German and English
Kindly donated for the Swiss Live Art Study Room Guide.
Text and photographic documentation of the work of Jörg Köppl and Peter Začek.
Kindly donated as part of the Swiss Live Art Study Room Guide.
Text in German.
Documentation of projects undertaken by Adrien Sina, Tomasz Kitliński and Paweł Leszkowicz. Includes interviews, photos and promotional material from venues including Marlborough Pub and Theatre, Courtauld Institute of Art and Tate Britain.
Part of the Library of Performing Rights ( P3041).
Maps the vast stretch of urban settlement outside London bounded by the M25.
Second edition of the artwork exploring the potential of Live Art to bridge generations.
A collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the field of collaborative art.
Charts the historical course of performance in Australia from the happenings of the 1960s, through body art in the 1970s, towards a more political body in the 1980s.
Part of Library of Performing Rights (P3041)
Brings together established and emerging practitioners who work with light, as material or subject.
Explores our obsession with the lure of distant lands and their promise of the weird and wonderful, the beautiful and grotesque.
Brings the fields of performance studies and trauma studies together in conversation where they inform crucial themes such as trauma, testimony, witness, and spectatorship.
Tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation.
Part of the Library of Performing Rights (P3041).