Examines innovative and avant-garde works in relation to contemporary events, festivals, commissions, the marketplace, and the changing functions of museums.
Images from solo and performances made as part of Artifacts.
Part of the Library of Performing Rights (LPR) (P3041).
An absorbing portrait of an artist whose career spans three decades of American avant-garde performance. Collecting writings by Monk herself, along with significant reviews, essays, interviews, and photographs of Monk's unique performance events, the book establishes her as one of the great treasures of contemporary American culture.
A vibrant introduction to theatre that engages with stories, conditions and experiences of migration.
An introduction to the major events and debated in the early years of feminist art practice. An extensive collection of articles, as well as broadsheets printed in facsimile, illustrate the history and diversity of arguably the most important intervention in modern art.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
This publication examines the connection between Fluxus artists such as George Maciunas, Geoffrey Hendricks, Al Hansen and Ben Patterson, and Romantics such as Caspar David Friedrich and Ludwig Tiek.
Limited edition catalogue, edited by Andrew Mitchelson and designed by David Caines, carries images of artworks, a DVD and texts.
Confronts the effects of modernism on society and proposes a remedy based on a redefinition of our art and culture.
Examines the experience of being in the audience during Rimini Protokoll’s performance.
Margate’s First Beaux Arts Ball
Aunt Bill is an automythography performed as part of 'It's not Unusual', an international season of performance, ICA, London (June, 1994).
VIEWING ON PC OR MAC ONLY – NOT DVD READABLE
For DVD copies see: D1459, D1460, D1461. For full programme see P1496