Embraces the messiness and daily action of the maternal and strives to nurture an understanding of daily maternal practice.
| Artist / Author | Lena Šimić & Emily Underwood-Lee |
|---|---|
| Editor | Lena Šimić & Emily Underwood-Lee |
| Publisher | Routledge |
| Reference | A0766 |
| Date | 2017 |
| Journal | Performance Research |
| Journal date | June 2017 |
| Journal page | 131-139 |
| Type | Article |
Video documentation of the book launch, as part of LADA Screens. Includes 4 videos.
Catalogue of the 7th Art of Encounter, focuses on anagrammatic encounters. 4/10-26/10 2018.
In german and English.
A performance-based feature film produced and filmed on location during the month-long performance walk from Northern Germany through Poland to the Russian region of Kaliningrad, in May/June 2015.
Includes feature film, trailer, poster, stills from the movie, and film description.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Documentation from the 672 Hour Live Process Performance in Istanbul, 2018. Includes the poster, individual videos of performances, and a document with details on all performances.
Over the course of 16 months Ithe artist took about 200 photographs of their reflection in the window of a derelict shop on Windsor Avenue, Fairview, Dublin 3. 52 images were selected and each is accompanied by a piece of text.
Brochure for the Live Art programme at the Liverpool Biennial 2002 (18-21 September).
The first substantial survey of its kind, the publication brings together documentation of performances, drawings, videos, installations, and sculptures, as well as writings, interviews and visual essays by the artist. A series of commissioned critical essays show her to be a prolific maker of acts, objects, and multiple ‘selves’.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.
In Spanish.
On Forced Entertainment, prediction, and the community of audience.
Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).