Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.
Examines how contemporary performance practices have been driven by questions of The Real and the consequent political implications of the concept's disintigrating authority.
Essays by Antonio Araujo, Mario Bellatin, Pablo Caruna, Oscar Cornago, Juan Dominguez, Adrian Heathfield, Hans-Thies Lehmann, Andre Lepecki, Angelia Liddell, Bonnie Marranca, Quim Pujol, Jose A Sanchez. Text in both English and Spanish.