A book on the multi-disciplinary and experimental practice of artist David Medalla, who was born in the Philippines. Based in London since the 1960s, he has made an effort to remain independent of the art market and the institutional structure. Artist biography, bibliography and illustrated documentation of works included.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.
Belgian festival director and curator Frie Leysen challenges Australian artists and arts organisations to be bold, and to challenge an increasingly ossified status quo in her closing keynote address at the 2015 Australian Theatre Forum (ATF). Miscellaneous folder #5A.
Documentation of European performance art collective C and H’s project ‘Postcard from the Future’
Comprehensive overview of performance work by Dutch artist Peter Baren
Book published to accompany the 2004 exhibition of the same name
Artists included: Giovanni Anselmo, Keith Arnatt, John Baldessari, Joseph Beuys, Alighiero Boetti, Marinus Boezem, Stanley Brouwn, Daniel Buren, Pierpaolo Calzolari, Jan Dibbets, Gino de Dominicis, Ger van Elk, Barry Flanagan, Hamish Fulton, Gilbert and George, Michael Heizer, Wolf Knoebel, Gary Kuehn, Richard Long, Walter de Maria, Mario Merz, Dennis Oppenheim, Klaus Rinke, Ulrich Ruckriem, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Keith Sonnier, Franz Erhard, Walther, Lawrence Weiner, Gilberto Zorio
The Publication follows the journey of ten collaborations, created by Co-Lab performance art program together with Savvy Contemporary Art Laboratory in Berlin.
A collection of essays on the installation and performance work of Cuban artist Tania Bruguera. Contributors: Domenico Scudero, Lucrezia Cippitelli, Irma Arestizabal, Roberto Pinto, Simonetta Lux
The book exposes the activity of the OHO Group (1966-1971) and of the movement OHO-Catalogue (1966-1970) in the context of Slovene national culture, Yugoslavian socialistic culture and international youth culture of the late 1960s and early 1970s.
Contains essays and interviews by late leading art critic Stuart Morgan with a foreward by Thomas McEvilley
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Catalogue of the exhibition September 30-December 10 2010 curated by Pilar Topkins Rivas
The Black Cone documents a 2012 performance by Spanish artist Santiago Sierra (born 1966), that resulted in a six-foot-high monolith in front of the Icelandic parliament, commemorating the third anniversary of the protests that followed the country’s economic crash.
Exhibition catalogue, explores the relationship between technology, machines and the Bauhaus Stage. Contributors: Hortensia Volckers, Alexander Farenholtz, Philipp Oswalt, Juliet Koss, Sascha Forster, Peter W. Marx, Joachim Krausse, Gabriele Brandstetter, Jienne Liu, Karin Harrasser
Brings together the action art and performances of the Belgian artist from the 70s to the present: drawings, thinking models, collages, films, photos and other documentation.
Documents Meese’s 2008 exhibition at Essl Museum, Vienna ‘Fraulein Atlantis’. Interviews, photographs, DVD.
Published to accompany the first comprehensive overview of Jonathan Meese’s work in Germany at the Deichtorhallen, Hamburg in 2006, the exhibition featured 150 paintings, sculptures, photographic works and installations.
A collection of key writings on choreography across the French, U.S and international dance scenes since the turn of the century.
The first in-depth study of this enigmatic conceptual artist, Bas Jan Ader is a thoughtful reflection on the necessity of the creative act and its inescapable relation to death
NXTSTP is a joint project by: Kunstenfestivaldesarts (Brussels), Alkantara Festival (Lisbon), Baltoscandal Festival (Rakvere), Goteborgs Dans & Teater Festival (Gothenburg), De Internationale Keuze van de Rotterdamse Schouwburg (Rotterdam), steirscher herbst (Graz), and Theatre national de Bordeaux en Aquitaine (Bordeaux).
Europe and the Middle East
uman rights and ethics
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
Issue no 10/11 , 2000 , edited by Sue Golding and produced by the department of theory at the Jan van Eyck academy in Maastricht.
What does theatre do for – and to – those who witness, watch, and participate in it?
Publication documenting the first public meeting of the institutions that engendered the ENPARTS project (European Network of Performing Arts).
Includes project, interview and making of. English & Greek. For homonymous publication see REF. P1214.
Publication dedicated to pioneering curators; presents a collection of interviews.
Contains 150 b/w-duotone photographs; a description of each work (in English and Greek) and texts by Sally Potter.
Re-imagines journeys made (and sometimes dreamt) by Freud to European sites of archaeological importance. TheEnglish text is followed by a Greek translation.
Poster for the campaign Land of Human Rights, a project by ,association for contemporary art in Graz, questioning European human rights issues. Printed and distributed between 2007 and 2009, the front side of the posters presents works of artists on current human rights issues. The back side features short texts of human rights activists, theorists or people affected by human rights. Text in English, German, Turkish and Serbian.
Showcases the work of photographers who documented a selection of seminal performances from the 1950s to the present in Europe, the United States and Japan and exhibits contemporaneous examples of their practice alongside their performance photographs.
Appears in the series which collects recordings of conversations with female pioneers of performance art and provides insight into their self-image and thinking.