On Das Stück mit dem Schiff and Amor constante mas alla de la muerte.
Bodies move freely through an ambiguous urban “utopia”…or do they? Shot on 16mm film and digital video.
A popular lesbian ‘commercial,’ 110 images of sensual touching montages in A, B, C, D rolls of ‘kinaesthetic’ editing.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Documents Bern’s performance scene. In German.
La Ribot, Exhibition catalogue. 11/8-2/9 2017, Berlin.
The concluding volume to Moten’s landmark trilogy consent not to be a single being.
Feminist science fiction that anticipates a post-patriarchal future.
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
A heady brew of feminist critique of the art world and extreme body horror.
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.