What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
Third issue of the literary journal of sexuality and erotics. On botany and eroticism in three essays and seven poems.
Programme of the performance which takes the first book of the Old Testament as its inspiration.
Documentation from two performances, presented at Brisbane Arts (2007) and MAJU JAYA Performance Art Festival (2007).
Part of the Library of Performing Rights (LPR) (P3041).
Featuring Suzana Milevska, Ivana Bago, Antonia Majaca, Ivana Bago, Antonia Majaca, Magnus Bärtås Zdenko Bu ek Liljana Gjuzelova Igor Grubi Dejan Habicht/Tanja La eti Kalle Hamm Albert Heta Sasha Huber IRWIN Hristina Ivanoska Sanja Ivekovi Suzana Milevska MONUMENT Group Oliver Musovi Tanja Ostoji /David Rych Dan Perjovschi Lia Perjovschi Tadej Poga ar Georg Schöllhammer Dejan Spasovi Sa o Stanojkovi Mladen Stilinovi , Alexander Vaindorf, Aneta Vangeli
Part philosophical meditation, part cultural critique, this profoundly original work explores the nature of physical suffering.
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Eve gives suicide a go; Her attempts are a foolish performance for the camera. This film is the full version that appears in Act One of Trans-Acts. Trans-Acts casts the Artist in the role of three necessary transgressors: the Dunce, the Devil & the Fool or seen another way as Sad Eve, Bad Eve & Mad Eve.