Event publication. Includes a CD.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Festival publication; June 10 – 13, 2010.
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
Part of the Something Human Study Room Guide on Southeast Asian performance (P3334).
A performance based on interviews with migrants to Austria.
A photographic series.
Part of the Library of Performing Rights (LPR) (P3041).
A virtual platform on which shares of companies dealing with problems are floated.
Part of the Library of Performing Rights (LPR) (P3041).
Intervention; Tanzquartier Wien, 8/3/2007.
Part of the Library of Performing Rights (LPR) (P3041).
From the Dance and Politics edition. In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
Asks pertinent questions about art, theatre and the changing meaning of ‘culture’ in today’s intercultural world.
Part of the Library of Performing Rights (LPR) (P3041).
The first volume to provide a comprehensive overview of Jerzy Grotowski’s long and multi-faceted career.
Part of the Library of Performing Rights (LPR) (P3041).
The third annual HIAP publication, which gives an overview of 46 residencies and a small sampling of events that took place in 2016.
Includes an image bank and a video with extracts from different pieces. Documented works includes: Negrophilia!, Andhaka, Miss United Kingdom, Resurrection, The Ambidextrous Universe, Thirteen, Olympia, Barflies, Shakti, Masking, Genesis and Remote Control.
Explains the concept of the trans-spectator using the Slovenian theatre group performance (Would Would Not, 2005) as an example.
Sx essays, three interviews, and six case studies of performance makers, institution directors, and thinkers, proposing diverse strategies of implication and engagement, opening up possible futures and alternative exchanges between parties that are often too often still seen as adversaries.
From 2012 to 2016, Foreign Affairs, the international performing arts festival of Berliner Festspiele, and the Berlin University of the Arts (UdK) have been investigating the relations between the performing and visual arts. The festival has continuously produced projects with international artists that experiment with various institutional frameworks. This book is both a question and a manual, collecting ideas, knowledge and experiences that stem from the theory and practices developed over the past few years.
An object consisting of two parts: a publication of articles and transcripts which reflect upon the 15 years of discourse that brought dance and choreographic practice and theory together in Dansbaren; and a tablecloth of topics—a tool for continuing dialogues which invites the reader to lay it on the table, welcome others to the table, and put dance and choreography discussions, literally, on the table.
A reengagement with four workshops, facilitated within HZT Belin’s BA Dance, Context, Choreography programme between 2014-2016. Consists of four publications, reflecting on the entanglement of artistic and pedagogic practices.
The first-ever biography in English the most influential performer and choreographer of the 20th century.
Inquires into the contemporary moment through the lens of Roma artistic and intellectual practices, gathering knowledge from the Roma way of life.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Nicolae, himself a Romanian Roma, gives voice to the Roma cause, offering a precise and candid look at their current situation.
Part of the Study Room Guide on Live Art and Displacement (P3107).
A catalogue of one of the most important contemporary Roma artists: a comprehensive overview of her oeuvre and a concise insight into the complex questions of the life of ethnic minorities. In Slovenian, Roma and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Catalogue of the eponymous film and video-based exhibition; Moderna Museet Malmö 21/5/2016-5/3/2017
In Swedish and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Article on the eponymous exhibition which aims to raise awareness and purge the discrimination against Roma communities. In Hungarian and English.
In misc folder 7. Part of the Study Room Guide on Live Art and Displacement (P3107).
Artist book published as a follow up to the eponymous exhibition; the book presents around 20 art projects realised between 2000 and 2008.
Kunstpavilion Innsbruck, 19 September – 8 November 2008.
Part of the Study Room Guide on Live Art and Displacement (P3107).
All issues (pilot-6) of the “international cross-artform bi-monthly”.
A report from the StabilityMobility Sharing conference held in Rotterdam.
Documentation from the fourth edition of the performance art festival, held in Herdla, Norway. The artists gathered for a week having the opportunity to work within the environment of the site, before presenting their work on 30th August 2014.
In Norwegian and English.
Includes: Interview – 5:12; Ebele 1:40; Orchard 1:44; Minute Cemerony 2:11.
In Finnish and English.
Platform of performance art, Liege, 19-24/10 2015.
In French and English.
Includes the programme for City of Women festival (2-13/10/2013) and Red Dawns (12-26/10/2013).
In Slovene and English.
Special issue: Simon Stephens – British Playwright in Dialogue with Europe.
Festival book; unlike a programme, it sets out in search of a different kind of closeness – and finds it through contributions written by programmed artists, artist portraits, theoretical comments dealing with this year’s leitmotif, “Wir schaffen das”, essays, reports or series of pictures.
Festival dates: 23 September – 16 October 2015.
In English and German.
*currently unavailable*
Various issues, 2009-2016 + two flyers.
Conceived in January 2014, the process-based piece continues Matteo Guidi's and Giuliana Racco's investigation into the ways people bypass restrictions and limitations in their daily lives, moving through systems imposed on them.
Exhibition catalogue; 11/11/2015 – 23/1/2016, Fundacio Sunol
The book explores the textual work of Art & Language, Victor Burgin and others; the New Sculpture being produced by those such as Richard Long and Michael Craig-Martin; and the artists who addressed society and politics, including Stephen Willats and Margaret Harrison.
On the occasion of the eponymous exhibition, April-August 2016.
This volume is inspired and informed by the square-squattings and neighborhood assemblies of the “real democracy” movements as well as by recent explorations of the assembly form in performance art and participatory theater.
A collection of filmed work, celebrating the 30th anniversary of Troubleyn. Contains 17 DVDs and a 48 page booklet.
English and French subtitles.
Contains: Jan Fabre beyond the artist (documentary, 52′); Le pouvoir des folies théatrales (257′), Drugs kept me alive (73′), Preparatio mortis (51′), Les années de l’heure bleue (documentary, 32′), Prometheus Landscape II (94′), Pietas (documentary, 26′), Orgy of tolerance (103′), From the feet to the brain (documentary, 26′), Requiem for a metamorphosis (116′), Jan Fabre au Louvre (documentary, 47′), Another sleepy dusty delta day (56′), L’histoire des larmes (101′), Quando l’uomo principale è una donna (51′), Je suis sang (93′), My movements are alone like streetdogs (33′) + additional content
Catalogue of an exhibition held at the Kunsthalle, Basel, 1981, at the Whitechapel Art Gallery, London, 1982, and at the Stedelijk Van Abbemuseum, Eindhoven, 1982.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Includes catalogues summarising the gallery's work (Meno parkas 2015, Meno parkas 2014, Meno parkas 1997-2012) and the catalogue of contemporary art festival (Kaunas in Art: Artists, Institutions, Projects, 2011)
Festival book; it sets out in search of a different kind of closeness – and finds it through contributions written by programmed artists, artist portraits, theoretical comments dealing with the festival’s leitmotif, “Back to the Future”, essays, reports or series of pictures.
Festival dates: 25 September – 18 October 2015.
Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents–including texts by and taped discussions among and with the artists involved.
An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.
Acconci’s Mur Island in Graz forges a closer bond between life on the river and in the two halves of the city. The book documents the different stages of the design, and places sketches and computer simulations next to remarkable photographs of models as well as shots of the finished island. An interview with Vito Acconci and a presentation of the diverse work by the Acconci Studio round off the book. In German and English.
A 150 page reader for students and other particularly interested audience members stuffed full of texts, scripts, interviews and concept documents.
Generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, this book presents a rich variety of articles, leaflets, graffiti and internal documents, ranging from early experiments in “psychogeography” to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution and other crises and upheavals of the sixties.
Arendt provides a historical account of the forces that crystallized into totalitarianism. The ebb and flow of nineteenth-century anti-Semitism (she deemed the Dreyfus Affair a dress rehearsal for the Final Solution) and the rise of European imperialism, accompanied by the invention of racism as the only possible rationalization for it.
Catalogue for the Kunstsammlungen Chemnitz exhibition Andy Warhol: Death and Disaster, curated by Heiner Bastian. November 2014 – February 2015.