LEAP is a bilingual art magazine of contemporary China presenting a mix of contemporary art coverage and cultural commentary from the cutting edge of the Chinese art scene. Issue 21, June 2013.
| ISBN | 1003-6865 |
|---|---|
| Reference | P2518 |
| Date | 2013 |
| Type | Publication |
A manifesto for the active and creative pedestrian – envisioning a walking that is neither a functional necessity (to shops, to work) nor a passive appreciation of (or complaint about) the urban environment.
Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS.
A limited edition publication exploring a series of innovative live performances and events.
Selected images from the exhibition Translated Acts, curated by Yu Yeon Kim at the Haus der Kulturen der Welt and the Queens Museum of Art in 2001.
Documentation of the first five years (2008 – 2012) of The Institute for the Art and Practice of Dissent at Home.
Institution for the Future is an archive of ideas bringing together reflections by artists, curators and other cultural workers on what an institution for the future should and needs to look like. With contributions from Ade Darmawan, Alexandra Hodby, Alistair Hudson, Dmitry Vilensky, Dorothea von Hantelmann, Elaine W. Ho, Gerald Raunig, Hans Ulrich Obrist, Hu Xiangqian, Ho Tzu Nyen, Jens Hoffmann, Joao Ribas, Jun Yang, Keren Cytter, Liu Ding, Marina Abramovic, Michael Lee, Monika Szewczyk, Nikita Yingqian Cai, Richard Streitmatter-Tran, Roslisham Ismail, Ise, Sam Bower, Seng Yujin, Third Belgrade, Tino Sehgal, Vandy Rattana and Yoko Ono.
In French with English subtitles. The Society of Spectacle was written and directed by Guy Debord based on his book of the same name. (Simar Films, 1973). 89 minutes.
Explores the ways in which theatrical techniques might intervene in the representational operations of monuments.
Publication in French
Review of Jacques Ranciere’s The Emancipated Spectator