An exploration of walking and mapping as both form and content in art projects using old and new technologies, shoe leather and GPS.
|Artist / Author||Karen O'Rourke|
|Publisher||The MIT Press|
An evening with artists readings of extracts from significant books held in LADA’s Study Room. Part of LADA at 20.
Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
Anti-manifesto for changing a world while exploring it: a tool for playful debate, collaboration, and intervention.
A special edition of the Cooper Gallery periodical: a complexity of perspectives and positions by artists, curators and writers are brought together reflecting on and interrogating the necessarily shifting nature of identity and its other.
Maps the vast stretch of urban settlement outside London bounded by the M25.
This book is for any visitor resident of the Elan Valley to enjoy a creative way of exploring the area and thinking about history, nature, and people.
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.
This video was part of LADA Screens, and was available online between 12 and 26 October 2015.
Taking place on 12 July 2007, SWIM was an open invitation, all access swim across London from Tooting Bec Lido to Hampstead Heath Ponds.
2014, 31’ 19”
This video was part of LADA Screens, and was available online between 17 August and 31 August 2015
A one-off 30 performance produced in relation to Teching Hsieh's Outdoor film. Part of LADA Screens 4.
An invitation to encounter work and thinking that is in motion. Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)