An audacious and essential take on modern life, alienation and sexuality that simultaenously estranges itself from and relates to its audience.
Invited to exhibit at the 56th Venice Biennale, e-flux journal produced a single issue over a four-month span, publishing an article a day both online and on site from Venice.
What is it that makes humans, human? As science and technology challenge the boundaries between life and non-life, between organic and inorganic, this ancient question is more timely than ever.
Includes:
– MOMMA film 7’42”
– Family of the Future, 22’22”
– I Can’t Keep Silence Any More, 2’42”
– Missionary, London 2012, 5’28; Moscow, 1995, 5’38 and 2’20”
– Pavlov’s Dog, 3’49”
– Two Kuliks, 5’58
Theoretical and creative interventions into the presence of the animal and ideas of animality in performance.
An overview of Yingmei Duan's performance and installation work since 1995.
This book gathers key perspectives on Back to Back Theatre and the company's most influential shows
Performance Research Journal edition concerning failure. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249).
This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)