Catalogue > By Keyword > politics
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Feminist Futures? Theatre, Performance, Theory
Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.
Phil Collins: The world won’t listen
Exhibition catalogue, Dallas Museum of Art
Valentine
Artist book. Based on the artist performances during the 1990s.
Alastair Maclennan: Coming to Meet
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Supporting a Landscape
establishment report for the New Work Network
Histories & Practices of Live art
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
The Bastille Dances
For short edited version see REF. D1898.
Truth is Concrete – A 24/7 Marathon Camp on Artistic Strategies in Politics and Political Strategies
In September 2012 the “Truth is concrete”, 24/7 marathon camp took place. With around 300 lectures, panels, tactic talks, performances, concerts, films, workshops and a parallel, self-curated, spontaneous Open marathon, “Truth is concrete” created a 170-hour performative space for thinking and networking in the city of Graz, Austria. Two newspaper style programmes (different cover) in foder.
Corpo Politico – The Political Body
A series of Talking Heads from UK-based Live Artists exploring their motivation for making work and sharing some of their documentation. A special screening programme curated by Andrew Mitchelson (Live Art Development Agency) for Corpo-Copia, a documentation and tracesspace within the Political Compositions Programme of the Panorama Festival 2011.
English is Broken Here – Notes on Cultural Fusion in the Americas
Fusco undermines notions of a monolithic Latino identity by examining the role of race in a broad spectrum of Latin American, U.S. and (to a lesser extent) British black and Latino culture and art. This result in a pastiche of autobiographical political essays and art criticism along with transcripts of performance pieces developed in collaboration with performance artist and poet Guillermo Gomez-Peña. These include Andres Serrano, Pepon Osorio, Lorna Simpson, Graciela Iturbide, Lourdes Grobet, Yolanda Andrade, Juan Sanchez, Ana Mendieta, Catalina Parra and the film collectives Black Audio and Sankofa.
