A chronology of actions she performed between 2008 and 2015. The book was made in a limited edition, to be given, received, traded, lost, found, purposely lost lost, donated lent, passed on – and never sold.
Bennett looks at the collaborative processes that intertwine these two cultural practices. She argues that discourses of performance studies can open up new avenues of inquiry about the production and reception of the museum experience and its place in contemporary culture.
A publication where the work Fabião has been developing in the streets since 2008 acquires a new dimension. Containts extensive photographic material and writings by the artist and original essays.
This book of texts and creative exercises is for artists, students, researchers, archivists and policy makers.
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.