In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
Large format programme for Hotel Obscura (Vienna performances). In German.
A series of accounts of the eperiences of artists and communities who have come together in contexts not usually seen as arenas for the arts.
This publication charts the the evolution of the relationship between teachers and students, which in turn highlight an alternative way of viewing society.
The first historical and theoretical overview of socially engaged participatory art, known in the US as ‘social practice’. Follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic.
Grant Kester treats the relationship between art and democracy as pedagogical, performative, and ethical, he revives our understanding of the importance of civic engagement, solidarity, conversation, and public intervention.
This catalogue re-contextualises a series of public projects implemented between 1998 and 2002 within the city of Vancouver, British Columbia.
Examination of the artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art.
Interview with Shannon Jackson, Christina Linden, Social Works: online article printed from www.artpractical.com
Examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment.
Part of the Library of Performing Rights (LPR) (P3041).
In Brixton from the late 50s to the present day, Clovis Salmon aka ‘Sam the Wheels’ captures accounts of everyday life, protest and people, offering a lens through which the struggles, sufferance and joys of those times can be seen with an authenticity uncontaminated by a media agenda.
dvd to accompany publication P1274
In Brixton from the late 50s to the present day, Clovis Salmon aka ‘Sam the Wheels’ captures accounts of everyday life, protest and people, offering a lens through which the struggles, sufferance and joys of those times can be seen with an authenticity uncontaminated by a media agenda
dvd which accompanies this publication: D1204
Publication following the process of a group of artists working with the microscopic world to produce an art project with a social emphasis. In Spanish with intro in English.
Catalogue published on the occasion of the homonymous exhibition at the San Francisco Museum of Modern Art on view 8 November 2008 – 8 February 2009.
Community Arts Approaches from The Olimpias
An anthology from High Performance Magazine 1978 – 1998.