Illuminates the shift in approaches to the uses of theatre and performance technology in the past twenty-five years and develops an account of new media dramaturgy (NMD), an approach to theatre informed by what the technology itself seems to want to say.
Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
Reveals how some of the most significant international contemporary theatre is actually made.
This item is referenced in the Making Routes Study Room Guide (P1964).