A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
Analyzes the cultural work of spectacular suffering in late-medieval France and the twenty-first century, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
Part of the Library of Performing Rights (P3041)
A review of In-Yer-Face: British Drama Today by Aleks Sierz
Critically engaging with examples of stage combat, rape, terrorism, wrestling and historical re-enactments, Nevitt argues that studying violence through theatre can be part of a desire to create a more peaceful world.
Walsh argues that there are many links between theatre and therapy when considering actor training, theatre in therapeutic contexts, and contemporary theatre and performance.
Investigates the extent to which performance can represent the 'unrepresentable' of trauma.