Catalogue > By Keyword > Helena Walsh

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Future Histories

Artist/Author: Áine Phillips, Niamh Murphy | Digital Reference: EF5343 | Type: Digital File

Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.

Part of the Library of Performing Rights (P3041).

Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal

Editor: Emily Underwood-Lee and Lena Šimić | Reference: P3025 | Type: Publication

The Guide features fourteen individual artists and two artist collectives working in the mediums of Live Art and performance around the topic of the maternal, who have all set out to make performance and/or Live Art work about their particular maternal experience.

Motherhood and Live Art

Editor: Lena Simic and Emily Underwood-Lee | Reference: A0647 | Type: Article

Report from the event held on Friday 29 January 2016.

This event gathered an invited group of live art and performance practitioners who are working with/around the maternal in their arts practice. All invited participants were asked to briefly introduce their ‘maternal performance practice’ and reflect on their aesthetics, including their processes and methodologies.

In misc folder 5A.

Invisible Stains

Artist/Author: Helena Walsh | Reference: D1744 | Type: DVD

Helena Walsh: Invisible Stain Video performance – Waterford Magdalene. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)

Invisible Stains

Artist/Author: Helena Walsh | Reference: D1566 | Type: DVD

This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)

Intimacy - Across Visceral and Digital Performance

Artist/Author: Various | Reference: D1154 | Type: DVD

INTIMACY was a three-day digital and live art programme (7-9 December 2007, London) made to induce interaction and provoke debate, and enable the interrogation and creative exploration of formal, aesthetic and affective modes of performing intimacy.Performances: MOM – Mask of Motherlands by Helena Walsh; Portrait of the Artist as a Life Model by Ernesto Sarezale; Tea and Sympathy by Michelle Browne; WebAffairs by Chantal Zakari; Wine Gums 2.0 (Love Hearts) by Joe Stevens. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661) and the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)

Regimented Chaos

Artist/Author: Helena Walsh | Reference: V0675 | Type: Video

Performing Borders: A Study Room Guide on physical and conceptual borders within Live Art

Artist/Author: Alessandra Cianetti | Reference: P3043 | Type: Publication

This Guide explores the notion of border in relation to Live Art and the works of experimental artists that have been addressing issues around physical borders, with a special focus on the current European situation and its multiple crises. The Guide includes a theoretical introduction on the relation between Live  Art and social sciences’ border theories; a focus on how practitioners are responding to the current shifting European border landscapes through a series of interviews; and a list of resources on the theoretical notion of border, Live Art, and Europe available in LADA’s Study Room.