A fanzine about the life and works of Michael Billington.

Documents the artist’s two-year (2015-2017) experimental site-specific art project. The project involved Chen’s visits to 168 locations set out as squares on a Google map of Greater London, and used the city as a stage and open space for the execution of Chen’s experiments.

Investigates the extent to which performance can represent the ‘unrepresentable’ of trauma.

Analyses the dramatic works of modern German, American, English, French, and Spanish writers within their historical and cultural contexts.