In 2014, artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists. The responses collected are as diverse and wide-ranging as the artists and their own approaches.
Video recordings of two performances presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.
Publication accompanying the homonymous symposium: a collaboration between Plymouth Arts Centre and artist Marina Abramovic to produce a performance event that explored the history and future of the artist’s work. Newspaper-style publication in large folder.
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
In February 2013 the In Between Time Festival invited the Live Art Development Agency to curate a small selection of Study Boxes. Each Box contains between five and eight hand picked books and other materials drawn from the Study Room. Reflecting many of themes represented within In Between Time the Boxes hoped to inspire, excite and intrigue festival-goers who could rummage through them in their own time at the festival hub. Although the selected materials are no longer in their Study Boxes you can use the list of materials within the Study Room Guide to explore the themes and artists during your visit to the Agency’s Study Room. The Study Boxes are a collaboration between the Live Art Development Agency and Spill Festival of Performance. First created for the SPILL Festival in Ipswich in 2012.