A short animation about the regionally extinct lion.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
An extensive series on Lin Hixson and Goat Island.
P-form both provides a historical record of the performance art movement during the 1980s and ‘90s, and captures the essence of creative expression that is free of – and often challenging – the strictures of the established art industry. P-form was conceived by Brendan deVallance and eventually published by Randolph Street Gallery, a non-profit, artist-run gallery and performance space committed to providing a forum for people to engage in contemporary and challenging cultural topics.
Catalogue which documents construction of works and relevant texts from the Atos de Falo festival in Brazil. In Portuguese and English
Goat Island A Last, A Quartet, a collection of Goat Island films (made with Lucy Cash) and reading companion including essays by David Williams ('Inter-views and the flower mind: An Exploded View of Goat Island's Films'), and Theron Schmidt ('After This, Birdsong'). It's Aching Like Birds, Dark, Daynightly They Re-School You the Bears-Polka, A Last, a Quartet, performance group, collaborative performance.
Audio CD of Symposium and performances for Performing Idea.Track List:
Performance Matters: Performing Idea – Performative Writing8th October 3.00-7.30pm (not 7th as stated on disk))Toynbee StudiosWith: Hélène Cixous (on video), Matthew Goulish, Adrian Heathfield and Peggy PhelanNew forms of writing on and around contemporary art and performance have emerged in recent years, alongside the emergence of the artist as cultural critic and curator. These forms of writing often problematize the notion of critical distance, deploying creative, dialogic and autobiographical strategies to engage with the multiple affects of the artwork. To what extent may critical thinking and writing be an art form? Speakers will examine the histories, limits and possibilities of the forms of ‘performative writing’, the dynamics of the performing idea.This session on Performative Writing will also comprise a preview of Trashing Performance, the second themed year of Performance Matters, with contributions from Oreet Ashery, Mel Brimfield, Gavin Butt, Dominic Johnson and Bird La Bird.
DVD – AUDIO ONLYThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Excerpts from The Sea & Poison and It's an Earthquake in My Heart, Goat Island
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)