A short animation about the regionally extinct lion.
Part of Life Art Library at MIF 2019: Animals of Manchester; Saturday 20 and Sunday 21 July 2019.
An extensive series on Lin Hixson and Goat Island.
Provides a historical record of the performance art movement during the 1980s and ‘90s, and captures the essence of creative expression that is free of – and often challenging – the strictures of the established art industry.
Catalogue which documents construction of works and relevant texts from the Atos de Falo festival in Brazil. In Portuguese and English
Goat Island A Last, A Quartet, a collection of Goat Island films (made with Lucy Cash) and reading companion including essays by David Williams ('Inter-views and the flower mind: An Exploded View of Goat Island's Films'), and Theron Schmidt ('After This, Birdsong'). It's Aching Like Birds, Dark, Daynightly They Re-School You the Bears-Polka, A Last, a Quartet, performance group, collaborative performance.
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
Goat Island, A World of Art (documentary series).
Mel Dolan reports on the Goat Island Summer School in Bristol 2001
Audio CD of Symposium and performances for Performing Idea.Track List:
Performance Matters: Performing Idea – Performative Writing8th October 3.00-7.30pm (not 7th as stated on disk))Toynbee StudiosWith: Hélène Cixous (on video), Matthew Goulish, Adrian Heathfield and Peggy PhelanNew forms of writing on and around contemporary art and performance have emerged in recent years, alongside the emergence of the artist as cultural critic and curator. These forms of writing often problematize the notion of critical distance, deploying creative, dialogic and autobiographical strategies to engage with the multiple affects of the artwork. To what extent may critical thinking and writing be an art form? Speakers will examine the histories, limits and possibilities of the forms of ‘performative writing’, the dynamics of the performing idea.This session on Performative Writing will also comprise a preview of Trashing Performance, the second themed year of Performance Matters, with contributions from Oreet Ashery, Mel Brimfield, Gavin Butt, Dominic Johnson and Bird La Bird.
DVD – AUDIO ONLYThis documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
Begins with Samuel Beckett and considers failure in performance as a hopeful strategy.
Part of Sacred at Chelsea Theatre, London
Yearlong writing project for radio broadcast
Excerpts from The Sea & Poison and It’s an Earthquake in My Heart, Goat Island
Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)