Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
A chronological review of a decade of endeavours by one of the most astute Slovenian projects of contemporary performing arts. The publication with extensive visual material and excerpts from texts documents 29 performances accompanied by Dr Blaž Lukan’s essay Erasing the Audience which analyses the company’s performing strategies.
A chronology of actions she performed between 2008 and 2015. The book was made in a limited edition, to be given, received, traded, lost, found, purposely lost lost, donated lent, passed on – and never sold.
A dual catalogue and archival exposé that explores the pivotal exhibition, Coming to Power: 25 Years of Sexually X-Plicit Art By Women, originally curated by the late artist, Ellen Cantor, in 1993, along with its re-staging in 2016 by curator Pati Hertling and artist Julie Tolentino.
Part of the Library of Performing Rights (LPR) (P3041).
Whether he’s creating a dance composed solely of everyday actions, working with an ensemble of children, or running a “dancing museum,” Charmatz’s work experiments with the body as a vessel for subjectivity, history, and collective action.
Article about the Philippine visual art.
In misc folder 7.
In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists’ collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
Published on the occasion of the exhibition Stuart Brisley: Headwinds, MAC Belfast, 30 January-26 April 2015.
Social Movement of the Body: a series of laboratories in collaboration with Latin American universities.
Includes separate artist CV, portfolio and press clippings.
Short clips. 3:44