In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists' collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society.
Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.
This art book deals with the work of the Trace Collective, and includes both critical essays and images.
Part of a DVD collection collection to curatorial practices and exhibition history called Archives. This film by Jef Cornelis constitutes an accounts of the exhibition DOCUMENTA 4.
Puts the field of Information Studies into critical conversation with studies of gender, sexuality, race and technology, with writings from a broad range of renowned scholars. Contributors: Sandy Stone, Patrick Keilty, Rebecca Dean, Mary Flanagan, Melodie J. Fox and Hope A. Olson, Alvin M. Schrader, Judy Wajcman, Chela Sandoval, Jessica E. Brophy, Zabet Patterson, Lisa Nakamura, Lori Kendall, D. Grant Campbell, Melissa Adler, Dean Spade, Jasbir K. Puar, Carlos Ulises Decena, Sherilyn M. Willaims and Pamela J. McKenzie, Mica Ars Hilson, Steven Maynard, Judith Halberstam, Ajamu X, Topher Cambell, Mary Stevens, Danielle Cooper, K. J. Rawson, Ann Cvetkovich, Aliza Shvarts, D. Grant Campbell, micha cardenas, Zach Blas, Leah A. Lievrouw.
Don’t Kiss Me: the Art of Claude Cahun and Marcel Moore, edited by Louise Downie, essays by Kristine von Oehsen, Katharine Conley, Jennifer Shaw, James Stevenson, Tirza True Latimer, Gen Doy, Claire Follain.
Adam E Mendelsohn article discussing the retrieval of history through re-enactment.