Includes:
Model Behaviours publication (AFFECT module I); in English; 2014
Mit freundlichen Gruessen exhibition catalogue; in German; 2013
promotional postcards; in English; 2014
This publication contains a selection of bottles from the first year of Amy Sharrocks’ Museum of Water project, with a foreword by the artist.
Catalogue including a selection of the most representative projects developed by the Mexican artist between 2000-2005.
The catalogue for an exhibition at Kasa Galeri, October 31 – December 5 2014, curated by Marquard Smith and exploring, with a peculiar British sense of humor, how art can face up to the social and cultural challenges.
Three limited edition booklets documenting the project involving a series of three one-day discussion events, with each event having a different emphasis, based on commonalities identified within the artists' work. Includes three commissioned texts and information on all artists involved.
Small booklet of a project response to the destruction of the National Picture Theatre in 1941.
Edited conversations addressing ‘unsitely aesthetics’ which refers to a particular aesthetics that has emerged with a mobile and nomadic shift in artistic practices and technologies.
An artists’ book documenting an intervention in a derelict house in North London. Due to the delapidated condition of the house, the public could not visit the house, so Terry Smith made a photographic record of individual impressions of each room.
The CD includes a powerpoint presentation of the work by the Irish/Canadian artist and a short biography and artist statement.
Book accompanying major solo exhibition of British artist Shezad Dawood.
Kira O’Reilly as festival thinker-in residence.
This formative piece was made on one of Long’s journeys to St Martin’s from his home in Bristol.
Performance in public space curated by Michelle Browne.
Part of Rathmines Festival ‘07, performance in public space curated by Michelle Browne.
Includes images from the respective show, descriptions of the piece, credits and press quotes.
Includes images from the respective show, descriptions of the piece, credits and press quotes.
Radio play produced for the collective listening in public places.
Amsterdam readings on the Arts and Arts Education. Drawing on contemporary practice and scholarship in the fields of dance, performance and installation art, theatre/archaeology, ethnography, holistic bodywork and the history of medicine, the collection provides insights into the body as a problematic site of performance and suggests a ‘new authenticity’ which equates both its phenomenological and representational aspects. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249).
Part of One Work series of books, each focused on a single work of art examined by a single author and aimed at provoking debate about significant moments in art. Contains a range of illustrations from the artist’s work.
On how performance relates to the global contemporary situation.
Travel guide for a destinationless journey.
This item is referenced in the Making Routes Study Room Guide (P1964). This item is part of the Study Room Guide to Remoteness (P2600).
Part of the Library of Performing Rights (LPR) (P3041).
Through the notion of ‘multicentricity’, Cheng surveys performance art in Los Angeles from the 1960s through the 1990s.
Part of the Library of Performing Rights (LPR) (P3041).
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Featuring the work of over 100 artists and writers, this unique anthology maps the changing landscape of contemporary art and culture over the past decade in the context of global economics and local politics.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Locus+ projects from 1993 to 2000. This item is part of the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)