The audience is divided. Those who can afford it are escorted to their private viewing area, to be served champagne and smoked salmon throughout the show. The rest risk the edges of the performance space, clad only in black lingerie. In the glass cabinet.
A union using violence as a language to express affection.
Between 17/09 and 4/10 2009, the artist invited a musician, an unemployed person, a squatter, a protester, an activist, an artist, a racist and an anti-racist, and others, to spend a day in the Künstlerhaus Bethanien. This book was published in conjunction with the exhibition and documents each individual’s daylong occupation of the gallery space.