This item is part of the Study Room Guide to Remoteness (P2600).
| Artist / Author | David Williams |
|---|---|
| Editor | Stephen Daniels, Mike Pearson, Heike Roms |
| Reference | A0356 |
| Date | 2010 |
| Journal | Performance Research |
| Journal page | 131-140 |
| Type | Article |
This book explores the practical, philosophical and aesthetic implications of performers working in pairs. It focuses on a ten-year period in the work of Karen Christopher, alongside wider reflections on the duet as a concept in artistic and social life. The book presents an investigation of the entanglement of form and practice seen through the lens of the smallest multiple unit of collaboration: the pair.
Seminal but rarely seen performance, recorded at Club Lingerie in Los Angeles, California, 1984.The folder also includes a short promotional video.
Part of LADA Screens 8. The film was availble online between 29 March – 11 April 2016 on the LADA Screens Channel.
A recipe book produced following a series of public events involving local South Essex foods, their source, preparation and consumption.
A graphic novel adaptation of the performance Splat! by The Famous.
Published in association with the Baltimore Museum of Art. Exhibition catalogue. Exhibition dates / The Baltimore Museum of Art: October 7, 2018-January 6, 2019 Wexner Center for the Arts: February 2-April 28, 2019
Tackles the excluded, the disposable and the nature of waste by looking to the future of art—the exform.
The first ever clear, extensive, concise and informative account of conceptual art.
Newspaper format catalogue. White Columns, New York, 13 September – 20 October 2002.
Embraces the messiness and daily action of the maternal and strives to nurture an understanding of daily maternal practice.
A kitsch video featuring the artist as a Mexican gunslinger arriving in Bethlehem for a duel with the Israeli Wall. Wearing a big sombrero and a scarf, the artist walks the streets of Bethlehem and greets the locals before taking off for her final showdown.
Part of the Library of Performing Rights (LPR) (P3041).
Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.
Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.
Part of the Study Room Guide on Live Art and Displacement (P3107).