Artist/Author: Sheila Ghelani, Sue Palmer | Editor: Sheila Ghelani, Sue Palmer | Reference: P4209 | ISBN: 978183802296 | Type: Publication
Common Salt was a performance around a table – a ‘show and tell’ by artists Sheila Ghelani and Sue Palmer. It explored the colonial, geographical and natural history of England and India taking an expansive and emotional time-travel, from the first Enclosure Act and the start of the East India Company in the 1600s, to 21st century narratives of trade, empire and culture.
In the performance Sue and Sheila activated insights into our shared past, laying out a ‘home museum’ of objects and stories about borders and collections, the Great Hedge of India, a forgotten naturalist – all accompanied by original Shruti box laments.
This book documents and explores the project, placing the performance text, images and reflections from both artists alongside writings by invited guests – from curators and artists to audience members.
Common Salt is designed by John Hunter (aka RULER) and published by LADA.
Based on real events, The Island Nation is a visceral, revelatory new play by Christine Bacon, artistic director of the pioneering human rights theatre company ice&fire.
We need to talk about racial injustice in a different way: one that builds on the revolutionary ideas of the past and forges new connections.
In this incisive, radical and practical essay, Emma Dabiri – acclaimed author of Don’t Touch My Hair – draws on years of research and personal experience to challenge us to create meaningful, lasting change.
In The Signal and the Noise, the New York Times political forecaster Nate Silver, who accurately predicted the results of every state in the 2012 US election, reveals how we can all develop better foresight in an uncertain world. From the stock market to the poker table, from earthquakes to the economy, he takes us on an enthralling insider’s tour of the high-stakes world of forecasting, showing how we can all learn to detect the true signals amid a noise of data.
Fauxthentication – Art, Academia, Authorship (or the site-specifics of the Academic Artist) investigates the means of production of the art that can be created within the boundaries of artistic research.
Artist/Author: Danielle L. McGuire | Reference: P4194 | ISBN: 9780307389244
In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer–Rosa Parks–to Abbeville. In taking on this case, Parks launched a movement that exposed a ritualized history of sexual assault against Black women and added fire to the growing call for change.
In June 2020, a group of 23 creative practitioners came together in virtual spaces to think, talk, listen and dream, learning from each other and through the act of dialogue. These writings reflect some of their thinking, on where we are now and some of the paths forward. FIELD notes is a call for change with care and transparency at its core.