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| Artist / Author | Owen Parry, Joao Florencio |
|---|---|
| Reference | P1970 |
| Date | 2011 |
| Type | Publication |
Seventh issue in the Urban Pamphleteer series, gathering perspectives, provocations and vignettes on London’s LGBTQ+ night-time spaces
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
A limited edition book of photography and artworks emerging from the intimate eight-year collaboration between the avant-garde queer performance legend and the acclaimed London performance photographer.
Two LADA programmes, as part of the 2015 Sacred season at Chelsea Theatre, London, in November 2015.
A five-minute performance piece mixing movement and lipsynching.
Directed by Sam Williams.
6'15''
Starting from the premise that live performance is experienced in a material, local context, the chapters analyse the intricate and complex workings of queer dramaturgy within specific venues, cities, nations or transnationally.
On Thursday October 2, 2014, LADA presented ALAG, its first-ever fundraising event, which took place at the Royal Vauxhall Tavern in London.
1:41
Review of Vason’s book, published by the Live Art Development Agency and Intellect Books.
Zine by Fan Riot Press, which explores the intersection of fan fiction, criticism and performance documentation.
Across a series of twelve in-depth interviews with a diverse range of major artists, Dominic Johnson presents a new oral history of performance art.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Double Exposures is a new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the UK.