From Acker's earliest interviews–filled with playful, evasive, and counter-intuitive responses–to the last interview before her death where she reflects on the state of American literature, these interviews capture the writer at her funny and surprising best.
Cataloguing Pfahler's recent projects for the 2008 Whitney Biennial, the volume also features her most notorious body-art performances and pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath.
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
A book of portraits, made as Frost wandered the streets of London in search of its most colourful inhabitants.
The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.
In this movie, a young woman wanders around New York City and experiences a few of the sights and sounds of New York including a number of very interesting performance artists.
Performances, Manhattan 1970-1980
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Foreword by Catherine Texier
Short films and visuals. Accompanied by booklet/catalogue.
Sitting up reading late at night, the author reflects on the links between the homosexual of the 1980s and his counterparts of a century ago, between gay lives today and those of Oscar Wilde, his friends, lovers and acquaintances.
Exhibition catalogue; Kunstverein in Hamburg November 30, 2002 – February 9, 2003· Museum Bochum April 5 – June 15, 2003
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).