From Acker's earliest interviews–filled with playful, evasive, and counter-intuitive responses–to the last interview before her death where she reflects on the state of American literature, these interviews capture the writer at her funny and surprising best.
Cataloguing Pfahler's recent projects for the 2008 Whitney Biennial, the volume also features her most notorious body-art performances and pieces. Numerous full-bleed photographs capture the making of the Biennial artworks, the preparation for her live show, the performance itself and the aftermath.
Analyzes artistic performances, social performances, archival remains, and memoirs of the underground theater scene in 1960s New York.
A book of portraits, made as Frost wandered the streets of London in search of its most colourful inhabitants.
The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.
In this movie, a young woman wanders around New York City and experiences a few of the sights and sounds of New York including a number of very interesting performance artists.
Performances, Manhattan 1970-1980
2 DVD documentation and soundtrack excerpts, plus postcards documenting the performance Communist Bigamist: Two Loves Stories.
Limited edition box set of materials (39/80), presented at ‘My Pussy is Still in Los Angeles (I Only Live in Berlin)’ in January 2012 in Los Angeles.
Shelved in Oversize publications section.
A 2009 documentary film about twin underground filmmakers George Kuchar and Mike Kuchar.
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Foreword by Catherine Texier
Short films and visuals. Accompanied by booklet/catalogue.
catalogue for the exhibition Tunnel 228
Sitting up reading late at night, the author reflects on the links between the homosexual of the 1980s and his counterparts of a century ago, between gay lives today and those of Oscar Wilde, his friends, lovers and acquaintances.
Exhibition catalogue; Kunstverein in Hamburg November 30, 2002 – February 9, 2003· Museum Bochum April 5 – June 15, 2003
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Cookie Mueller (1949-1989) was a firecracker, a cult figure, a wild child, a writer, a go-go dancer, a mother and a queer icon. A child of suburban 1950s Maryland, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious stories and a maven of New York’s downtown art world. Edgewise, by Berlin-based actress and writer Chloé Griffin, tells the story of Cookie’s life through an oral history composed of more than 80 interviews with the people who knew her.