Publication on a new entity of events as part of ANTI Festival, where the artists shortlisted for the International Prize of Live Art present their work.
In English and Finnish.
A journey through the history of disability – a history lesson with a difference.
Part of The Library of Performing Rights (P3041).
Examines the significance of the transgender body and presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms – especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture.
Part of the Library of Performing Rights (P3041)
Programme for the Afrikaans language festival that forges creative connections with English and Sotho cultures; 18-22 July 2017.
If you grow up in a world where wrinkles are practically illegal, going bald is cause for a mental breakdown, and women over size zero are encouraged to shoot themselves (immediately), what the hell do you do if you’re, gasp … disabled?
Argues that the awkwardness of our age is a key to understanding human experience.
Examines laughter among actors, among audience, and the interaction between the two. Exploring the many uses and effects of laughter in theatre, Weitz considers laughter as a tool of political resonance, as social commentary, and as one of the oldest rhetorical devices.
This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.
An account of an entire year spent living provocatively. From successful campaigns against Royal Parks and multinationals, to arts and crafts with porn mags, from annoying estate agents, to raising cinema workers' wages, comedian and campaigner Mark Thomas stopped at nothing.
Recording of the live 1979 performance at the Kintchen, New York.
Video recordings of the performance presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let's create a place for ourselves” on public space and politics.
Broadcast in 2000, COMING SOON is a three part comedy/drama series for Channel 4 following the adventures of an avant garde theatre company from London that would do anything for funding.
Broadcast in 2000, COMING SOON is a three part comedy/drama series for Channel 4 following the adventures of an avant garde theatre company from London that would do anything for funding.
Video documentation featuring three decdes of work that helped define a unique genre of US west coast performance art.
A show in which the performer stars as himself in the attempt of creating a late-night talk show, aired on January 23, 1981.
An interview that turned into surreal meetings and phone conversations, between 1978 – 1979.
A show in which the performer stars as himself in the attempt of creating a late-night talk show
An investigation of Andy Kaufman’s mysterious death
Exhibition in Brussels October and November 2013.
A novel by Darren O’Donnell
Showreel and short films
Audio in French with German, Italian, English and Spanish subtitles.
Audio in French with English, Spanish or Italian subtitles.
Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Documentation from the first international showcase of Danish performing art which took place 2-7 October 2006.
On Societas Raffaello Sanzio’s Inferno, Purgatorio, and Paradiso.
Surveys the rich and diverse uses of humor by avant-garde and contemporary artists.
Artist book. The book plays with stereotypes about Muslims and satirizes their representations, confronting the reader with the tensions of religious an racial identities.
Part of the Library of Performing Rights (LPR) (P3041).
See Pop Trauma DVD: D1793
Critical text on Andy Kaufman, includes photographs.
Critical text on the life and work of Andy Kaufman.