Documents Olafur Eliasson’s installation The Weather Project.
This item is part of the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)
| Artist / Author | Olafur Eliasson |
|---|---|
| Reference | D1226 |
| Date | 2003 |
| Type | DVD |
Forty years since the publication of Naseem Khan’s seminal report The Arts Britain Ignores, how much has changed?
Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture.
Tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today’s digital newsletters and social media threads.
Captured during a weekend-long workshop held in Glasgow as part of DIY16.
Part of the Library of Performing Rights (P3041)
Feminist science fiction that anticipates a post-patriarchal future.
Documentation from the collaboration between LADA, Sibylle Peters of Theatre of Research and Tate Families & Early Years. 26 to 29 October 2017.
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
Exhibition catalogue. Hayward Gallery, 12 June – 8 September 2019
Part of the Library of Performing Rights (P3041).
. An introduction to performance in the territory of art: far from proposing a linear history, the volume offers a series of thematic and transversal approaches to performance.
In Spanish.
Examines the embodiment of pain in Máiréad Delaney’s performance.
Part of The Library of Performing Rights (P3041).