A performance-based short film, in which the artist inquire through bodily actions the creation and function of visible and invisible signs in response to the geologic.
Includes the film, trailer, stills, and film description.
This book is for any visitor resident of the Elan Valley to enjoy a creative way of exploring the area and thinking about history, nature, and people.
Maps the vast stretch of urban settlement outside London bounded by the M25.
A lone hunter wanders through a tunnel of darkness; it is unclear whether the landscape is a fiery cosmology of his own invention or if he exists in a post-apocalyptic realm.
2016, 8.5 minutes
ideo inspired by a Victorian female couple who were collaborative authors and lovers. Contemporaries of Robert Browning and Oscar Wilde, the two were known and published under the same name Michael Field.
2017, 9.46 minutes,
Provides a survey of the work of Christo and his wife, Jeanne-Claude, who specialize in creating art on a monumental scale.
Exhibition catalogue.
Marks the finissage of Abboud’s solo exhibition The Horse, the Bird, the Tree and the Stone at Bildmuseet (Sweden, 21 May – 17 September 2017) and the inauguration of her solo show The pomegranate and the sleeping ghoul at Darat al Funun-The Khalid Shoman Foundation (Jordan, 10 October 2017 – 11 January 2018).
Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.
A collection of writings which describe in words the mercurial and ephemeral light as it changes across a day, across seasons, and across a year.
There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalyzed: the visual; this publication makes a powerful argument for science fiction as a visual cultural discourse.
In the summer of 2006, the two artists travelled across the Pennine Way creating a choreographic pathway – a shared journey and celebration of walking as dance and dancer as traveller.
The book explores what it means to create and experience urban performance – as both an aesthetic and a political practice – in the burgeoning world where cities are built by globalization and neoliberal capital.
The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence.
An overview of Poro: Brazilian company engaged in poetic, ironic and political actions. In Portuguese and English.
This book explores the relationship between place and forms of thought and creative activity, relating Outlandia, an off-grid artists’ fieldstation, and the artists there, to the tradition of generative thinking and making structures that have included Goethe’s Gartenhaus in Weimar, Henry Thoreau’s cabin at Walden Pond and Dylan Thomas’s writing shack in Laugharne.
The publication is constructed around the two works, Capitol Complex (2012–2014) and Ulterior Vistas (2012–2013), both of which are encapsulated on a ten-inch vinyl record. The spoken-word compositions are enclosed within a gatefold design and accompanied by the Capitol Complex manuscript as a booklet insert and a bound series of Ulterior Vistas photographic montages. Format hardback: + 10″ vinyl record. Printed in an edition of 500.
This book is an account of Allenheads Contemporary Arts (ACA)’s development through a programme of residencies, projects, exhibitions and events that accompany relations with community and environment. This item is part of the Study Room Guide to Remoteness (P2600).
An account of visits to various remote places in order to evoke their spirit of wildness punctuated with reflections on climate change, on destruction of habitat, and on the matters of time and belonging. This item is part of the Study Room Guide to Remoteness (P2600).
Richard Ashrowan considers the geopoetics of the Anglo/Scots borderline, travelling to several points on the border and beginning a meditation into the meanings that might be revealed within its landscape
A comprehensive selection of Vito Acconci's works, including a DVD of three 20 min videos in which he speaks about his realized and unrealized projects.
This monograph includes both extensive visual documentation from throughout Vito Acconci's career and a wide selection of his writings.
Vito Acconci in conversation at Acconci Studio, New York with the Halpern-Rogath Curatorial Seminar at the University of Pennsylvania
Nothing In My Pockets is a sound diary, concieved for the Atelier de Creation Radiophonique de France Culture, kept between July and October 2003. An intimate journey into the artist's personal universe. 2 CD's are presented with previously unpublished visual and text documentation.
A publication made to accompany the 2014 YSP exhibition JORDAN MCKENZIE: CARL AN(T)DRE + LEWITT LEAN, 01.03.14 – 20.04.14. Introduction by Doctor Helen Pheby, critical essay by Doctor Klara Kemp-Welch.
How to make your own mis-guided tour or walk.
Journal Article reflecting on a site-specific collaborative performance work at the Chisenhale Dance Space, London, UK. In Miscellaneous Article 4 folder.
The CD includes a powerpoint presentation of the work by the Irish/Canadian artist and a short biography and artist statement.
This video document follows the dancer/choreographer on an improvised tour of the islands off the west Coast of Ireland. This item is part of the Study Room Guide to Remoteness (P2600).
Hundreds of the vessels tumble and turn through my hands and through the kiln over time, until they begin to make themselves heard above the silence that each one has held for so long.
Exhibition publication.
This item is part of the Study Room Guide to Remoteness (P2600).
Captures the multitude of dance ‘languages’ set against a backdrop of iconic East London locations, celebrating the changing landscape of the area and featuring over 100 local dancers.
Charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes.
This item is referenced in the Making Routes Study Room Guide (P1964).
A touring project and performance, inviting local guest performers through workshops.
Suggests organizing principles, innovative strategies, methods and exercises for making theatre in a variety of contexts and locations, and through examples, case studies and projects develops distinctive theoretical insights into the relationship of site and performance, scenario and scenography.
Through interviews and descriptions of methodology, Breaking the Rules captures the essence of major works by the internationally acclaimed avant-garde company.
A work centring around a choral piece for which Karikis invites an ex-miners’ choir to recall and sing the subterranean sounds of a working coal mine.
Kira O’Reilly as festival thinker-in residence.
This formative piece was made on one of Long’s journeys to St Martin’s from his home in Bristol.
Catalogue of seventeen digital images that consist the corpus of work presented at the Hydra Museum of History and Archives from June 7 to July 12 2008. Bilingual edition (English and Greek)/
Part of One Work series of books, each focused on a single work of art examined by a single author and aimed at provoking debate about significant moments in art. Contains a range of illustrations from the artist’s work.
Travel guide for a destinationless journey.
This item is referenced in the Making Routes Study Room Guide (P1964). This item is part of the Study Room Guide to Remoteness (P2600).
Part of the Library of Performing Rights (LPR) (P3041).
Artists imagine different ways of seeing the places and spaces around us.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Part of the Library of Performing Rights (LPR) (P3041).
This item is part of the Study Room Guide On Performance in China by Adele Tan (P1114)
A word-map of Scotland. This item is part of the Study Room Guide to Remoteness (P2600).