Archive and essay on the artistic exploration of exorcism. Includes a dissertation, CDs, DVDs, and objects.
In the glass cabinet.
Rrelates the history of La MaMa through its performance posters, capturing the irreverence and the aesthetic of La MaMa over five decades.
A collection of three radically poetic works for live performance. Includes JARMAN, Carthage/Cartagena), and The Orphan Sea.
The second issue of The Magazine of the Artist’s Institute, dedicated to Carolee Schneemann
Contributes to the ongoing critical discussions of performance and its disappearance, of the ephemeral and its reproduction, of archives and mediatised recordings of liveness.
Drawing on over five years worth of her own published and unpublished writing, the author has produced a sustained argument about the way in which history writing belongs to the currents of thought shaping the modern world.
Seventh issue in the Urban Pamphleteer series, gathering perspectives, provocations and vignettes on London’s LGBTQ+ night-time spaces
A research into the genealogy of political practice among different feminist movements from the 1970s to the present in Europe and Australia, resulting in a six-element film installation and accompanying exhibition catalog/reader.
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, Some Wear Leather, Some Wear Lace considers a subject not often covered by academic books.
A collection of black and white photographs of the wooded area between the Fire Island communities of Cherry Grove and The Pines.