A book of stories, stories written by activists from the front lines of resistance against capitalism and economic globalization. In German; for the English version see P0424.

This item is part of the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).

Catalogue of the eponymous film and video-based exhibition; Moderna Museet Malmö 21/5/2016-5/3/2017

In Swedish and English.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Explores the different ways in which theatre has performed the rural from the medieval to the contemporary, and examines the changing relationships between place, performance and audience when theatre is staged in rural communities.

The historical age of empires may be over, but empire, as an idea, continues to exercise a hold over our imaginations. This examination begins with potential definitions and theories of empire, suggesting how we might think of these two notions together and how we might see empire itself as theatre.

How are hybrid and diasporic identities performed in increasingly diverse societies? How can we begin to think differently about theatrical flow across cultures?

The book explores what it means to create and experience urban performance – as both an aesthetic and a political practice – in the burgeoning world where cities are built by globalization and neoliberal capital.

An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.

Sheren explores performance art and politics on the US Frontera since 1984. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.

Review of Amelia Jones and Adrian Heathfield’s edited volume “Perform, Repeat, Record: Live Art in History” (2012).
 

The author analyses several contemporary performances as examples of artistic critique of current ideological canons and power structures governing labour relations in the globalised capitalist production.