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Catalogue > By Keyword > audience

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Avant-Garde Performance and Material Exchange: Vectors of the Radical
Editor: Mike Sell | Reference: P3499 | ISBN: 978-0230241343 | Type: Publication

Assembling a remarkable group of scholars, these essays explore how the circulation and exchange of “vectors of the radical” shape the avant-garde.

activism Alain Badiou Alan Filewod anarchism Andrea Harris Antonin Artaud audience Augusto Boal ballet Ballets Russes Cindy Rosenthal communism culture Dada democracy Esther Kim Lee experimental Fluxus futurism George Balanchine Graham White James Harding James M. Harding Jean Graham-Jones John Cage Joy Division Karl Marx Ken Paik Hakuta Kimberly Jannarone Laura Edmondson Living Theatre Milton Acorn nationalism Patricia Gaborik performance art politics Praise Zenenga protest pungwe punk radical Raisedon Baya Robert Mugabe Rwanda Siyuan Liu theatre Uganda Walter Benjamin Yoko Ono

Jarideh - documentation and artist interview
Artist/Author: Tania El Khoury | Digital Reference: EF5283 | Type: Digital File

One to One performance that takes place in a public café and explores surveillance and profiling in “the war on terror.”  The eight minute video includes an interview with the artist.

activism audience fear media one-on-one participation performance politics resistance spy cinema spying

From Margin to Center: The Spaces of Installation Art
Artist/Author: Julie H Reiss | Reference: P3496 | ISBN: 978-0262681346 | Type: Publication

A study of installation art, from its marginalized beginnings in the late 1950s to its central position in today’s art world.

Allan Kaprow audience Carl Andre Christian Boltanski curation Donald Judd gallery Green Gallery Jim Dine minimalism MoMa museum participation performance art pop art process art Robert Morris Rueben Gallery visual art Whitney Museum of American Art Yayoi Kusama

From Acting to Performance: Essays in Modernism
Artist/Author: Philip Auslander | Reference: P3503 | ISBN: 978-0415157870 | Type: Publication

Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.

acting actor Antonin Artaud archetype Arthur Miller audience Bertolt Brecht body capitalism choreography cultural theory culture dance Denise Collier difference experience Fredric Jameson gender identity ideology interpretation irony Jerzy Grotowski joke Kate Bornstein Konstantin Stanislavski language Meredith Monk minimalism modernism narrative ORLAN performance Peter Brook political art politics presence resistance Richard Schechner Rosanne Barr self stand-up subjectivity Susan Foster theatre Vito Acconci Willem Dafoe women Wooster Group

Marina Abramović: Cleaning the House
Editor: Johan Pijnappel | Reference: P3509 | ISBN: 978-1854903990 | Type: Publication

A monograph produced and designed in close collaboration with the artist; forms a personal scrapbook of her life and influences, ranging from Buddhism, the aboriginals of Australia and religious iconography, to Western artists such as Joseph Beuys.

archive artistic process audience body documentation endurance inspiration pain performance art Ulay Yugoslavia

Emergency INDEX Vol 6
Editor: Yelena Gluzman, Sophia Cleary, Katie Gaydos | Reference: P3474 | ISBN: 978-1-937027-98-8 | Type: Publication

In each annual volume, contributors document works made in the previous year. By including performances regardless of their country of origin, genre, aims, or popularity, INDEX reveals the breathtaking variety of practices used in performance work today.

African American archiving audience autobiography black body capitalism death design documentation durational everyday family future gender history human identity installation live art media noise performance performance art photography politics race sculpture slavery sound transforming video writing

Polvo (Octopus)
Artist/Author: Michel Groisman | Reference: P3480 | Type: Publication

Playing cards, for a performance/card game in which players are dealt body parts instead of numbers in suit. Players will combine their own cards and reproduce the combinations with their own body. When a combination is impossible to be made alone the player may borrow a part of someone else’s body to be able to continue to play.

audience body children interactive participation performance art

Attention Please! Changing Modes of Engagement in Device-Enabled One-to-One Performance Encounters
Artist/Author: Eirini Nedelkopoulou | Reference: A0770 | Type: Article

Explores attention structures that invite one-to-one encounters in digitally informed practice.

audience Blast Theory dating app digital performance Dries Verhoeven gay Grinder intimacy LGBTQ mobile phone one-to-one participation performance art sex sexuality Wanna Play?

Dream Audience
Artist/Author: Karen Christopher | Digital Reference: EF5263 | Type: Digital File

Documentation from the DIY 13 project, setting and testing ways of getting together to show unfinished work.

artistic process audience Chapter collaboration community criticism devising DIY feedback LADA Live Art Development Agency performance art process time-based

Be Your Dog
Artist/Author: Angela Bartram | Digital Reference: EF5262 | Type: Digital File

Documentation from the DIY 13 project.

animal audience collaboration connection DIY empathy equality hierarchy human KARST LADA live art Live Art Development Agency mirroring participation performance art pet Plymouth

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