Explores attention structures that invite one-to-one encounters in digitally informed practice.
Authors offer ways to fight today’s pervasive digital surveillance — the collection of our data by governments, corporations, advertisers, and hackers. To the toolkit of privacy protecting techniques and projects, they propose adding obfuscation: the deliberate use of ambiguous, confusing, or misleading information to interfere with surveillance and data collection projects.
Dual performance to Skype camera
Blood, 2013 (1:47); Block, 2013 (1:48); Lançar- to throw 2013 (0:39); Alinhar – to Align, 2013 (0:58); Cloud try 3, 2013 (0:51); Red line, 2015 (0:50); A short story, 2015 (1:04); Annunciation 1 & 2, 2015 (2:08)
Dual performance to the camera
Skull-line, cranial suture, 2014 (0:46); Measuring the room, 2014 (1:27); Tables, 2015 (2:05); To do with you, 2016 (2:20); Push, 2011 (1:25); Dictionario (excerpt), 2011; And –And, 2016 (3:44)
Armed with nine 1970’s tape recorders, Kevlin delivers a laboratory solo that revisits several unfinished conversations with himself.
Unti 24 gallery, 11 January 2015.
Miscellaneous documentation of the individual and collaborative work by Stefan Kaegi. In 2000, Kaegi joined forces with Helgard Haug and Daniel Wetzel, under the label of Rimini Protokoll, and begun staging engaging and nomadic interventions on the landscape of various European cities. Cargo Sofia-X is a live spatial model, a site-specific performance for European and boarder-cities. For Call Cutta the group founded a Call Centre in Kolkata to remote-control audiences through Berlin by mobile phone. English with some text in German. For documentation of Call Cutta see REF. D1132. This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)